Ayushmann Khurrana and Rashmika Mandanna’s latest release, Thamma, has taken the box office by storm. In just five days, the film has managed to cross the ₹100 crore mark worldwide, cementing its position as one of the most successful Bollywood releases of the year. The family entertainer, directed by Amar Kaushik, has not only performed strongly in India but has also shown remarkable growth in overseas markets, beating the lifetime collections of Varun Dhawan’s Bhediya in less than a week.
A Stellar Start and Steady Growth
From its very first day, Thamma showcased its box office potential. The film opened with an impressive ₹21 crore on Friday, exceeding trade expectations. Over the weekend, word of mouth and positive reviews drove audiences in large numbers, especially families and younger viewers.
Here’s a breakdown of the film’s estimated box office earnings so far:
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Day 1 (Friday): ₹21 crore
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Day 2 (Saturday): ₹24.5 crore
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Day 3 (Sunday): ₹27.3 crore
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Day 4 (Monday): ₹15.2 crore
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Day 5 (Tuesday): ₹12.8 crore
Total Worldwide Collection (5 Days): ₹100+ crore
The film’s strong weekday hold is being seen as a clear sign that Thamma has resonated with audiences across demographics. Even after a massive opening weekend, the drop in collections has been minimal — something that’s rare in today’s competitive box office climate.
Ayushmann Khurrana Returns to His Strengths
After a few underperforming releases, Thamma marks a solid comeback for Ayushmann Khurrana. Known for his socially relevant yet entertaining stories like Bala, Badhaai Ho, and Dream Girl, the actor once again strikes the perfect balance between humor and heart.
In Thamma, Ayushmann delivers a deeply relatable performance that connects emotionally with viewers. His ability to portray everyday struggles with sincerity and comic timing has always been his strongest suit, and Thamma uses that charm to full effect.
“This film is a celebration of family, identity, and love,” Ayushmann recently shared in an interview. “It’s the kind of story that makes you laugh, cry, and reflect — and I think that’s what cinema should do.”
Rashmika Mandanna Shines Bright
Rashmika Mandanna, who continues to expand her presence in Bollywood, brings both freshness and emotional depth to Thamma. Her chemistry with Ayushmann has been one of the highlights of the film, with fans praising their effortless rapport.
Critics have lauded Rashmika’s nuanced performance, calling her “the emotional core of the film.” She brings grace and strength to her character, complementing Ayushmann’s energetic screen presence beautifully.
This film marks another successful outing for the actress after Animal and adds to her growing list of Hindi hits.
A Perfect Blend of Emotion and Entertainment
Directed by Amar Kaushik, known for hits like Stree, Bala, and Bhediya, Thamma once again combines comedy, emotion, and social commentary in a way that appeals to both mass and multiplex audiences. The film carries Kaushik’s trademark balance of laughter and sensitivity, with moments that linger long after the credits roll.
Trade analysts believe this blend of content and entertainment is what makes Thamma such a crowd-puller. “It’s the kind of film you can watch with your family. It’s emotional but not preachy, funny but meaningful,” said a trade source.
The music, composed by Sachin–Jigar, and the colorful cinematography further elevate the film’s appeal. Songs like “Dil Ka Thamma” and “Pyar Ka Connection” have already become chartbusters, adding to the movie’s buzz.
Surpassing Bhediya and Setting New Milestones
In just five days, Thamma has achieved what took Varun Dhawan’s Bhediya its entire theatrical run — surpassing ₹95 crore in lifetime earnings. The film has now officially overtaken Bhediya to become one of Amar Kaushik’s most successful directorial ventures.
Given its strong word of mouth, analysts predict that Thamma could easily touch the ₹150–175 crore mark by the end of its second weekend. The film’s robust weekday performance and repeat audiences indicate that it might even go beyond expectations if it maintains its momentum.
Overseas Success and Global Impact
Apart from its strong domestic performance, Thamma is performing exceptionally well in international markets. In the UAE, North America, Australia, and the UK, the film has recorded excellent occupancy rates.
Its global appeal, driven by its universal themes of family bonding and emotional healing, has resonated with non-Indian audiences too. The overseas collections have contributed nearly ₹25 crore to its total so far, further boosting its worldwide numbers.
Audience and Critics React
Social media is flooded with praise for the film. Fans are calling Thamma “Ayushmann’s best performance in years” and “a perfect emotional entertainer.” Many have pointed out that the film’s blend of laughter and heartfelt storytelling makes it a refreshing watch amid action-heavy releases.
Critics, too, have given it a thumbs up. Leading film portals have rated it between 3.5 and 4 stars, commending its engaging screenplay, strong performances, and meaningful message.
What Lies Ahead for the Stars
Following the massive success of Thamma, both Ayushmann and Rashmika are in the spotlight once again. Ayushmann is reportedly working on his next project — a high-concept social dramedy — while Rashmika will next appear in the highly anticipated Pushpa: The Rule opposite Allu Arjun.
Industry insiders believe Thamma will boost Ayushmann’s standing in the commercial space while reinforcing Rashmika’s pan-India stardom.
Final Verdict: A Certified Blockbuster in the Making
With its relatable storytelling, charming performances, and strong word of mouth, Thamma has all the makings of a modern-day blockbuster. Surpassing Bhediya’s lifetime collection in just five days is no small feat, and the film’s consistent growth suggests that it’s here to stay.
If trends continue, Thamma could emerge as one of the highest-grossing Hindi films of the year, reaffirming Ayushmann Khurrana’s position as Bollywood’s most reliable content-driven star and marking another big win for director Amar Kaushik.
